The Resource Anglo-American Ballad

Anglo-American Ballad

Label
Anglo-American Ballad
Title
Anglo-American Ballad
Creator
Language
eng
Member of
Cataloging source
IDEBK
Dewey number
782.4
Index
no index present
Literary form
non fiction
Nature of contents
dictionaries
Series statement
Routledge Library Editions: Folk Music
Label
Anglo-American Ballad
Publication
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Dedication; Table of Contents; Series Editor's Preface; Introduction; Acknowledgments; Popular Songs and the Image of a Nation; The Spectator Papers on Ballads (Numbers 70 and 85) (1711); Heroic Bards and the ""Romantic Wildness"" of an Anglo-Saxon Past; On Ancient Minstrels (1794); Countering Mythic Claims; The Origin and Progress of National Song (1783); Balladry as a Childhood for National Genius; Popular Poetry (1830); The Concept of Orality and the Collector of ""Tradition""
  • Minstrelsy Ancient and Modem (1827)The Ballad Community As an Egalitarian, Pastoral Ideal; Ballad Poetry (1875); Orality, Primitivism, and an Improvising Folk Community; The Ballad and Communal Poetry (1897); Real Singers, Individual Authorship, and Diverse Ballads; Ballads and the Illiterate (1921); Archaism and ""Communal Re-creation"" in Ballad Tunes; The Music of the Ballads (1929); Families of Tunes and the Tenacity of Tradition; Ballad Tunes and Texts (1944); Ballad Music as an Heirloom of British Culture; Principal Melodic Families of British-American Folk Song (1950)
  • Performance, Audience, Social Conditions, and TraditionThe Rise of the English Street Ballad (1990); Blues Ballads and the Syncretism of Anglo and African Traditions; Survivors of the Ballad Tradition (1984); Select Bibliography; Index
  • Variation and Continuity in Ballads Present and PastThe Comparative Approach (1986); Class Politics and the Producers and Production of Songs; Song and Social Context (1986); Orality and the Formulaic Composition of Ballads; Oral Tradition and Literary Tradition (1977); Creativity, Community, and the Individual Songmaker; My Name Is Larry Gorman (1964); People and Their Songs as Diverse Phenomena; Ballad Singers, Ballad Makers, and Ballad Etiology (1973); Tradition, Literacy, and the Ballad Marketplace; The Interface of Oral and Written Forms (1984)
Control code
ocn933442352
Dimensions
unknown
Extent
1 online resource (362 pages)
Form of item
online
Isbn
9781317946229
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
882676
http://library.link/vocab/recordID
.b34620163
Specific material designation
remote
System control number
  • (OCoLC)933442352
  • ebl1317357809

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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