The Resource Beethoven after Napoleon : political romanticism in the late works, Stephen Rumph
Beethoven after Napoleon : political romanticism in the late works, Stephen Rumph
- Summary
- In this analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals. --From publisher's description
- Language
- eng
- Extent
- 1 online resource (ix, 295 pages)
- Contents
-
- A kingdom not of this world
- The heroic sublime
- Promethean history
- 1809
- Contrapunctus I: prelude and fugue
- Contrapunctus II: double fugue
- Androgynous utopias
- Vox populi, vox dei
- A modernist epilogue
- Isbn
- 9780520238558
- Label
- Beethoven after Napoleon : political romanticism in the late works
- Title
- Beethoven after Napoleon
- Title remainder
- political romanticism in the late works
- Statement of responsibility
- Stephen Rumph
- Language
- eng
- Summary
- In this analysis of Beethoven's late style, Stephen Rumph demonstrates how deeply political events shaped the composer's music, from his early enthusiasm for the French Revolution to his later entrenchment during the Napoleonic era. Beethoven after Napoleon challenges accepted views by illustrating the influence of German Romantic political thought in the formation of the artist's mature style. Beethoven's political views, Rumph argues, were not quite as liberal as many have assumed. While scholars agree that the works of the Napoleonic era such as the Eroica Symphony or Fidelio embody enlightened, revolutionary ideals of progress, freedom, and humanism, Beethoven's later works have attracted less political commentary. Rumph contends that the later works show clear affinities with a native German ideology that exalted history, religion, and the organic totality of state and society. He claims that as the Napoleonic Wars plunged Europe into political and economic turmoil, Beethoven's growing antipathy to the French mirrored the experience of his Romantic contemporaries. Rumph maintains that Beethoven's turn inward is no pessimistic retreat but a positive affirmation of new conservative ideals. --From publisher's description
- Biography type
- contains biographical information
- Cataloging source
- N$T
- Dewey number
- 780/.92
- Government publication
- government publication of a state province territory dependency etc
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML410.B4
- LC item number
- S93 2004eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- California studies in 19th century music
- Series volume
- 14
- Label
- Beethoven after Napoleon : political romanticism in the late works, Stephen Rumph
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references (pages 267-278) and index
- http://library.link/vocab/branchCode
-
- net
- Carrier category
- online resource
- Carrier category code
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
- A kingdom not of this world -- The heroic sublime -- Promethean history -- 1809 -- Contrapunctus I: prelude and fugue -- Contrapunctus II: double fugue -- Androgynous utopias -- Vox populi, vox dei -- A modernist epilogue
- Control code
- ocm56733720
- Dimensions
- unknown
- Extent
- 1 online resource (ix, 295 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780520238558
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
- c
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/cttt5n39
- Quality assurance targets
- unknown
- http://library.link/vocab/recordID
- .b21982247
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
-
- (OCoLC)56733720
- pebcs0520238559
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.deakin.edu.au/portal/Beethoven-after-Napoleon--political-romanticism/VXfABEuwMJ4/" typeof="CreativeWork http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.deakin.edu.au/portal/Beethoven-after-Napoleon--political-romanticism/VXfABEuwMJ4/">Beethoven after Napoleon : political romanticism in the late works, Stephen Rumph</a></span> - <span property="offers" typeOf="Offer"><span property="offeredBy" typeof="Library ll:Library" resource="http://link.library.deakin.edu.au/#Deakin%20University%20Library"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.deakin.edu.au/">Deakin University Library</a></span></span></span></span></div>