The Resource Creativity and the Agile Mind : a Multi-Disciplinary Study of a Multi-Faceted Phenomenon, ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville

Creativity and the Agile Mind : a Multi-Disciplinary Study of a Multi-Faceted Phenomenon, ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville

Label
Creativity and the Agile Mind : a Multi-Disciplinary Study of a Multi-Faceted Phenomenon
Title
Creativity and the Agile Mind
Title remainder
a Multi-Disciplinary Study of a Multi-Faceted Phenomenon
Statement of responsibility
ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville
Creator
Contributor
Subject
Language
eng
Summary
Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole
Member of
Cataloging source
EBLCP
Dewey number
153.3/5
Index
no index present
LC call number
P37.5.C74
LC item number
C74 2013eb
Literary form
non fiction
Nature of contents
dictionaries
Series statement
Applications of Cognitive Linguistics ACL
Label
Creativity and the Agile Mind : a Multi-Disciplinary Study of a Multi-Faceted Phenomenon, ed. by Tony Veale, Kurt Feyaerts adn Charles Forceville
Publication
Bibliography note
References
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Part I: Introduction; 1 Creativity and the Agile Mind; Introducing The Agile Mind; Understanding The Agile Mind: A Journey; Conceptual Agility in an Abstract Space; Collecting The Agile Mind: A Bird's Eye View; Parting Thoughts; References; 2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound; Agile Interpretation and Creative Duality; Agile Imagery; Agile Sounds; Agile Words; CRIME: An Agile Framework for Producers and Consumers; Conclusions; References; Part II: Computers and Creativity; 3 Computers and Creativity; Introduction
  • Cognitive LinguisticsAnalysing Creativity; Conclusions; References; Part IV: Visual Communication; 11 Creativity in the forms and functions of spontaneous gestures with speech; Introduction; Formal characteristics of creative gestures; Creativity in the functions of coverbal gestures; Discussion and Conclusions; Acknowledgements; References; 12 Creative visual duality in comics balloons; Introduction; Blending Theory, Emergent Structure, and Creativity; Blending, Emergent Structure, and Creativity in Comics Balloons; Blending and Creativity in Balloons: Concluding Remarks; Acknowledgments
  • ConclusionsReferences; Part III: Verbal Communication; 6 Creatively Exploiting Linguistic Norms; Introduction; What is an exploitation?; The Creative Continuum; Are all rhetorical tropes exploitations?; Summary and Conclusions; References; 7 Online semantic creativity in parliamentary debates; Introduction; Theoretical background; Case-study: creativity and perspectivation in interactional discourse; Conclusions and outlook; References; 8 Yo, who be the main gangsta in our phat gang? -- Linguistic creativity and the construction of hyperpersonal identity; Introduction
  • Three perspectives on relating onlineAn example of hyperpersonal communication -- Creative gangstas on the net; Blending Theory and the creation of hyperpersonal identity; The creation of hyperpersonal identity as a joint process of action layering; The role of the medium; Conclusions; References; 9 Resonating humour -- A corpus-based approach to creative parallelism in dialogue; Introduction; Theoretical background; The dataset: semi-automatic retrieval from the Corinth corpus; Resonating humour in the Corinth corpus; Conclusion; References; 10 A Cognitive Grammar of Creativity; Introduction
  • What do we mean by 'creativity': Some examplesCognitive mechanisms of creativity; Computational modeling of creativity; Computer-based creativity-support systems; Conclusions and future research; References; 4 Gravital: natural language processing for computer graphics; Introduction; Computer graphics and user interfaces; Graphics Language Processor; Perception; Node-based interface; Acknowledgements; References; 5 Talking Points in Linguistic Creativity; Introduction; Related Work and Ideas; Acquiring Conceptual Talking Points; Building a Slipnet of Talking Points; Empirical Evaluation
Control code
ocn851970203
Dimensions
unknown
Extent
1 online resource (380 pages)
Form of item
online
Isbn
9783110295290
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/recordID
.b32107870
Specific material designation
remote
System control number
  • (OCoLC)851970203
  • pebcs3110295296

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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