The Resource Essential radio skills : how to present and produce a radio show, Peter Stewart

Essential radio skills : how to present and produce a radio show, Peter Stewart

Label
Essential radio skills : how to present and produce a radio show
Title
Essential radio skills
Title remainder
how to present and produce a radio show
Statement of responsibility
Peter Stewart
Creator
Subject
Language
eng
Summary
""One of the few books we''d recommend"" BBC Training ""The perfect guide for anyone who wants to get on in this ever-changing and challenging media"" Controller BBC Radio 5 Live ""A rich repository of real, practical experience"" Director - BBC Nations & Regions ""An invaluable guide"" Director - The Radio Academy This is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to
Member of
Cataloging source
N$T
Dewey number
791.4402
Illustrations
illustrations
Index
index present
LC call number
PN1991.5
LC item number
.S74 2006eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Professional media practice
Label
Essential radio skills : how to present and produce a radio show, Peter Stewart
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Cover; Contents; Foreword; Preface; The author; Acknowledgements; Part One: OFF AIR; 1 THE STRUCTURE OF UK RADIO; The BBC; Commercial stations; RSLs; Community radio; Digital radio; Student radio; Hospital radio; Internet radio; Podcasting; Pirate radio; 2 SO YOU WANT TO PRESENT?; What are the plus points?; What are the negatives?; Your qualifications; Your qualities; Your name; Possible earnings; Career prospects; 3 SO YOU WANT TO PRODUCE?; What are the plus points?; What are the negatives?; Your qualifications; Your qualities; Possible earnings; Career prospects
  • 4 OTHER PEOPLE AT THE STATIONYour manager; Programme controller/director or SBJ programmes; Journalists; Other producers or broadcast assistants; Other presenters; Promotions team; Marketing and brand management team; The sales team; Commercial production; Traffic department; Accounts, finance and admin; Music librarian and scheduler; Community affairs producer; Engineer; Receptionist; 5 THE RADIO STATION; The station's name; Station logo; Station slogan; The station brand; Advertising the station; Advertising on the station; Advertising the station on the station; 6 THE AUDIENCE
  • Appropriate musicExclusive tracks; Obit songs; Radio edits; Power starts.; Christmas songs; Christmas countdowns; PPL, PRS and MCPS; Library music; The spoken word; Internet tracks; 9 SPEECH PROGRAMMING; Planning the running order; 10 SHOW PREP; Where links come from; Breakfast show prep; Show prep services; Other tips and hints; User-Generated Content -- UGC; 11 GETTING GUESTS; Choosing guests; Making the call; Celebrity guests; Local appearances; Politicians; Actors and musicians; The hierarchy of interview locations; Briefing sheets; Handover sheets; The guest on the day; ROTs
  • The target audienceNon-target listeners; Rajar and ratings; Part Two: PRE PRODUCTION; 7 THE PROGRAMMES; The programmes; Programme names; The breakfast show; Daytime shows; Drivetime shows; Evening shows; Overnight shows; Saturdays; Sundays; 8 MUSIC PROGRAMMING; Music research; The core; The playlist; Scheduling music; The playlist meeting; Music categories; The mix in an hour; Hour starters; All the hits?; The role of the computer; Street-level scheduling strategies; The playout computer; The presenter and the music; The importance of music; Music features; Inappropriate music
  • Your contacts book12 OUTSIDE BROADCASTS; Why an OB?; Before an OB; What to take on an OB; On the day; The broadcast bit of an OB; After the event; Risk assessment; Personal appearances; The presenter's role; Finally; 13 THE LAW AND GUIDELINES; Libel; Contempt of Court; Elections; Other legal issues; 14 YOUR HEALTH AND SAFETY; The presenter/producer relationship; The C-word; Assertiveness; Your personal safety; Your health; Time management; Part Three: INSIDE THE STUDIO; 15 KNOBS, BUTTONS AND SWITCHES; The studio; New technology; The basics; Mixing desk -- panel, board or console; Sources
Control code
ocn702674657
Dimensions
unknown
Edition
2nd ed
Extent
1 online resource (xviii, 395 pages)
File format
unknown
Form of item
online
Isbn
9781408198797
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Quality assurance targets
not applicable
http://library.link/vocab/recordID
.b35375000
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)702674657
  • pebco1408198797

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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