The Resource Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945, Carolyn Birdsall

Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945, Carolyn Birdsall

Label
Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945
Title
Nazi Soundscapes
Title remainder
Sound, Technology and Urban Space in Germany, 1933-1945
Statement of responsibility
Carolyn Birdsall
Subject
Language
eng
Summary
Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Dusseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulat
Cataloging source
NLOAP
Dewey number
  • 384
  • 900
Index
index present
Language note
English
LC call number
HM1231
LC item number
.N39
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Label
Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945, Carolyn Birdsall
Publication
Bibliography note
Includes bibliographical references (pages 217-254) and indexes
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Affirmative Resonances in Urban Space
  • The Festivalisation of the Everyday
  • Mobilising Sound for the Nation at War
  • Cinema as a Gesamtkunstwerk?
  • Afterword: Echoes of the Past
  • Acknowledgements; Abbreviations; Introduction; Modern Sound and the Metropolis; Modern Modes of Listening; Theorising Listening Attention and Sound Technology; Researching Historical Soundscapes; 1. Affirmative Resonances in Urban Space; Auditory Perception and Affirmative Resonance; Sonic Brawling and Aesthetic Occupations of Public Space; Publicising Songs, Institutionalising Schlageter; The Call for National Awakening; Conclusion; 2. The Festivalisation of the Everyday; A Festival for Everyone?; Radio and the Modern Festival; Festive Exclusions: The Carnival Heimat
  • Anti-Semitic Violence as FestivalConclusion; 3. Mobilising Sound for the Nation at War; Imagining National Community; Radio Sounds as National Celebration; Alarm Sounds as Acoustic Signals; Suspicious Sounds; Conclusion; 4. Cinema as a Gesamtkunstwerk?; The Gesamtkunstwerk in Cinema; Acoustic Metaphors: From Symphony to Postcard; Rhythmic Harmony: Sound as a Controlled Event; Synchronising the Nazi Era?; Conclusion; Afterword: Echoes of the Past; Notes; Introduction; Notes to Chapter 1; Notes to Chapter 2; Notes to Chapter 3; Notes to Chapter 4; Notes to Afterword; Bibliography
  • Interviews (Selection)Track List; Track 1 [03:05 mins]; Track 2 [03:18 mins]; Track 3 [02:05 mins]; Track 4 [27:55 mins]; Track 5 [02:30 mins]; Track 6 [00:30 mins]; Index; Index of Names; Index of Subjects
Control code
ocn810232657
Dimensions
unknown
Extent
1 online resource
Form of item
online
Isbn
9781283698368
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt45spgf
http://library.link/vocab/recordID
.b32076393
Specific material designation
remote
System control number
  • (OCoLC)810232657
  • pebcs1283698366

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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