The Resource New Argentine and Brazilian cinema : reality effects, edited by Jens Andermann and Álvaro Fernández Bravo, (electronic resource)

New Argentine and Brazilian cinema : reality effects, edited by Jens Andermann and Álvaro Fernández Bravo, (electronic resource)

Label
New Argentine and Brazilian cinema : reality effects
Title
New Argentine and Brazilian cinema
Title remainder
reality effects
Statement of responsibility
edited by Jens Andermann and Álvaro Fernández Bravo
Contributor
Subject
Language
eng
Summary
Examining Brazilian and Argentine cinema of the last fifteen years, this volume charts the emergence of a new concern with the real, bringing together contributions from leading film scholars and critics from Latin America, Europe, and the United States. Comparing 'New Argentine Cinema" and the Brazilian 'Retomada,' the contributors read across the boundaries between documentary and fiction and trace new modes of deploying performance and re-enactment, found footage, and the interplay between film and television and theater. They shed light on similarities between and variations in different Latin American national cinemas' filmic discourses and production contexts and map these findings onto the larger context of current film theory
Member of
Cataloging source
UKPGM
Dewey number
791.43/0982
Index
no index present
LC call number
PN1993.5.A7
LC item number
N49 2013
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
New directions in Latino American cultures
Label
New Argentine and Brazilian cinema : reality effects, edited by Jens Andermann and Álvaro Fernández Bravo, (electronic resource)
Publication
Bibliography note
Includes bibliographical references
http://library.link/vocab/branchCode
  • net
Color
multicolored
Contents
1. Cm̀era l{uFE22}cida; Još Carlos Avellar -- 2. Footprints: Risks and Achievements in New Argentine Cinema David Oubia̜ -- PART I: RETURNS OF THE REAL: RE-ENACTMENT, MEMORY, AND THE UNCANNY -- 3. Documentary Cinema and the Return of Past Events; Andřa Fraṅa -- 4. Re-Enactment and Transmission in Contemporary Cinema; Ivone Margulies -- 5. The Return of the Natural: Landscape, Nature and the Place of Fiction; Edgardo Dieleke -- 6. Beyond Reflexivity: Acting and Experience in Len̤, Rejtman and Coutinho; Joanna Page -- 7. The Scene and the Inscription of the Real; Cesar Guimarês -- PART II: ARCHIVES OF THE PRESENT -- 8. Global Periphery; Ivana Bentes -- 9. Exploding Buses: Jose Padilha and the Hijacking of Media; Tom Cohen -- 10. December's Other Scene: New Argentine Cinema and the Crisis of 2001; Jens Andermann -- 11. Archival Images - Memories of Labor: Citation, Recycling and Appropriation in Contemporary Argentine Cinema; Mariano Mestman -- 12. In Praise of Difficulty: Notes on Realism and Narrative in Contemporary Argentine Film; Domin Choi -- 13. The I as Other: the Real, the Archive and the Witness; Alvaro Ferǹndez Bravo -- 14. The Documentary Between the First and the Third Person; Gonzalo Aguilar
Control code
ocn831688022
Dimensions
unknown
Extent
1 online resource
Form of item
online
Isbn
9781137304834
http://library.link/vocab/ext/overdrive/overdriveId
636922
http://library.link/vocab/recordID
.b29806562
Specific material designation
remote
System control number
  • (OCoLC)831688022
  • palgrave1137304839

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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