The Resource Severo Sarduy and the neo-baroque image of thought in the visual arts, Rolando Pérez, (electronic resource)
Severo Sarduy and the neo-baroque image of thought in the visual arts, Rolando Pérez, (electronic resource)
- Summary
- Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like Garca Mrquez and Vargas-Llosa, and his compatriot, Cabrera-Infante. On the other hand, he never lacked for excellent critical interpretations of his work from critics like Roberto Gonzlez Echevarra, Ren Prieto, Gustavo Guerrero, and other reputable scholars. Missing, however, from what is otherwise an impressive body of critical commentary, is a study of the importance of painting and architecture, firstly, to his theory, and secondly, to his creative work. In order to fill this lacuna in Sarduy studies, Rolando Prez?s book undertakes a critical approach to Sarduy?s essays?Barroco, Escrito sobre un cuerpo,?Barroco y neobarroco,? and La simulacin?from the stand point of art history. Often overlooked in Sarduy studies is the fact that the twenty-three-year-old Sarduy left Cuba for Paris in 1961 to study not literature but art history, earning the equivalent of a Master?s Degree from the cole du Louvre with a thesis on Roman art. And yet it was the art of the Italian Renaissance (e.g., the paintings as well as the brilliant and numerous treatises on linear perspective produced from the 15th to the 16th century) and what Sarduy called the Italian, Spanish, and colonial Baroque or?neo-baroque? visually based aesthetic that interested him and to which he dedicated so many pages. In short, no book on Sarduy until now has traced the multifaceted art historical background that informed the work of this challenging and exciting writer. And though Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts is far from being an introduction, it will be a book that many a critic of Sarduy and the Latin American?baroque? will consult in years to come
- Language
- eng
- Extent
- 1 online resource (xii, 318 p.)
- Isbn
- 9781557536044
- Label
- Severo Sarduy and the neo-baroque image of thought in the visual arts
- Title
- Severo Sarduy and the neo-baroque image of thought in the visual arts
- Statement of responsibility
- Rolando Pérez
- Language
- eng
- Summary
- Severo Sarduy never enjoyed the same level of notoriety as did other Latin American writers like Garca Mrquez and Vargas-Llosa, and his compatriot, Cabrera-Infante. On the other hand, he never lacked for excellent critical interpretations of his work from critics like Roberto Gonzlez Echevarra, Ren Prieto, Gustavo Guerrero, and other reputable scholars. Missing, however, from what is otherwise an impressive body of critical commentary, is a study of the importance of painting and architecture, firstly, to his theory, and secondly, to his creative work. In order to fill this lacuna in Sarduy studies, Rolando Prez?s book undertakes a critical approach to Sarduy?s essays?Barroco, Escrito sobre un cuerpo,?Barroco y neobarroco,? and La simulacin?from the stand point of art history. Often overlooked in Sarduy studies is the fact that the twenty-three-year-old Sarduy left Cuba for Paris in 1961 to study not literature but art history, earning the equivalent of a Master?s Degree from the cole du Louvre with a thesis on Roman art. And yet it was the art of the Italian Renaissance (e.g., the paintings as well as the brilliant and numerous treatises on linear perspective produced from the 15th to the 16th century) and what Sarduy called the Italian, Spanish, and colonial Baroque or?neo-baroque? visually based aesthetic that interested him and to which he dedicated so many pages. In short, no book on Sarduy until now has traced the multifaceted art historical background that informed the work of this challenging and exciting writer. And though Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts is far from being an introduction, it will be a book that many a critic of Sarduy and the Latin American?baroque? will consult in years to come
- Cataloging source
- E7B
- Dewey number
- 864/.64
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PQ7390.S28
- LC item number
- Z845 2012eb
- Literary form
- non fiction
- Nature of contents
-
- standards specifications
- bibliography
- Series statement
- Purdue studies in Romance literatures
- Series volume
- v. 53
- Label
- Severo Sarduy and the neo-baroque image of thought in the visual arts, Rolando Pérez, (electronic resource)
- Bibliography note
- Includes bibliographical references and index
- http://library.link/vocab/branchCode
-
- net
- Color
- multicolored
- Control code
- 000054187983
- Dimensions
- unknown
- Extent
- 1 online resource (xii, 318 p.)
- Form of item
- online
- Isbn
- 9781557536044
- Other physical details
- ill
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt6nxmnm
- http://library.link/vocab/recordID
- .b27050610
- Specific material designation
- remote
- System control number
-
- (OCoLC)794488907
- jstor1612491480
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.library.deakin.edu.au/portal/Severo-Sarduy-and-the-neo-baroque-image-of/BPAGOuwxMUE/" typeof="CreativeWork http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.library.deakin.edu.au/portal/Severo-Sarduy-and-the-neo-baroque-image-of/BPAGOuwxMUE/">Severo Sarduy and the neo-baroque image of thought in the visual arts, Rolando Pérez, (electronic resource)</a></span> - <span property="offers" typeOf="Offer"><span property="offeredBy" typeof="Library ll:Library" resource="http://link.library.deakin.edu.au/#Deakin%20University%20Library"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.library.deakin.edu.au/">Deakin University Library</a></span></span></span></span></div>