The Resource The ends of satire : legacies of satire in postwar German writing, Daniel Bowles

The ends of satire : legacies of satire in postwar German writing, Daniel Bowles

Label
The ends of satire : legacies of satire in postwar German writing
Title
The ends of satire
Title remainder
legacies of satire in postwar German writing
Statement of responsibility
Daniel Bowles
Creator
Author
Subject
Genre
Language
eng
Summary
"How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory." --
Assigning source
Provided by publisher
Cataloging source
CaPaEBR
Dewey number
837/.009
Index
index present
LC call number
PT851
LC item number
.B68 2015eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
Paradigms-- Literature and the human sciences
Series volume
volume 2
Label
The ends of satire : legacies of satire in postwar German writing, Daniel Bowles
Publication
Copyright
Bibliography note
Includes bibliographical references and index
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type MARC source
rdacontent
Contents
Acknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire
Control code
ocn953986448
Dimensions
unknown
Extent
1 online resource (239 pages)
Form of item
online
Isbn
9783110359534
Media category
computer
Media MARC source
rdamedia
http://library.link/vocab/recordID
.b3462546x
Specific material designation
remote
System control number
  • (OCoLC)953986448
  • pebcs3110359537

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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