The Resource The philosophy of Steven Soderbergh, edited by R. Barton Palmer and Steven M. Sanders

The philosophy of Steven Soderbergh, edited by R. Barton Palmer and Steven M. Sanders

Label
The philosophy of Steven Soderbergh
Title
The philosophy of Steven Soderbergh
Statement of responsibility
edited by R. Barton Palmer and Steven M. Sanders
Contributor
Subject
Language
eng
Summary
Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in
Member of
Cataloging source
N$T
Dewey number
791.4302/33092
Index
index present
LC call number
PN1998.3.S593
LC item number
P55 2011eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
The philosophy of popular culture
Label
The philosophy of Steven Soderbergh, edited by R. Barton Palmer and Steven M. Sanders
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction / R. Barton Palmer and Steven M. Sanders -- Knowledge, truth, sexuality. Knowledge, truth, and thought experiments in Schizopolis and Sex, lies, and videotape / David Rodríguez-Ruiz -- Love, truth, and the medium in Sex, lies, and videotape / Yannis Tzioumakis -- Amplified discourse and desire in Sex, lies, and videotape / Murray Pomerance -- Temporality, intertextuality, genre. Alain Resnais meets film noir in The underneath and The limey / R. Barton Palmer -- Consciousness, temporality, and the crime-revenge genre in The limey / Geoff King -- Intertextuality, broken mirrors, and The good German / Andrew deWaard -- Remade by Steven Soderbergh / Aaron Baker -- Self-reflexivity, self-centeredness, autobiography. Philosophical reflections on Steven Soderbergh's Kafka / Ivo Ritzer -- Responsibility and self-centered narration in Erin Brockovich / Andrew Patrick Nelson -- Schizopolis as philosophical autobiography / Drew Morton -- Politics, morals, methodology. Mr. Soderbergh goes to Washington / Steven M. Sanders -- Schizoanalyzing the informant / David Sterritt -- Competing modes of capital in Ocean's eleven / R. Colin Tait -- An ethical analysis of Traffic / Shai Biderman and William J. Devlin -- Simulacra, space, Solaris. The philosophy of space and memory in Solaris / Douglas McFarland -- Solaris, cinema, and Simulacra / Michael Valdez Moses
Control code
ocn703156099
Dimensions
unknown
Extent
1 online resource (ix, 318 pages)
File format
unknown
Form of item
online
Isbn
9780813126630
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt2hgh95
Quality assurance targets
not applicable
http://library.link/vocab/recordID
.b25846383
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)703156099
  • jstor0813126630

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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