The Resource Theatre and performance design : a reader in scenography, edited by Jane Collins and Andrew Nisbet

Theatre and performance design : a reader in scenography, edited by Jane Collins and Andrew Nisbet

Label
Theatre and performance design : a reader in scenography
Title
Theatre and performance design
Title remainder
a reader in scenography
Statement of responsibility
edited by Jane Collins and Andrew Nisbet
Contributor
Subject
Language
eng
Summary
Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are here brought together in one volume to examine some of the principle forces that have informed the ways in which the visual practice of performance design has been produced and understood
Cataloging source
N$T
Dewey number
792.02/5
Illustrations
illustrations
Index
index present
LC call number
PN2085
LC item number
.T44 2010eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Label
Theatre and performance design : a reader in scenography, edited by Jane Collins and Andrew Nisbet
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Meditations on a hobby horse or the roots of artistic form
  • The cult of accessibility and the theatre of obscurity
  • Howard Barker
  • Drawing in rehearsal
  • Rae Smith
  • Speech introducing Freud
  • Robert Wilson
  • From The secret of theatrical space
  • Josef Svoboda
  • Ernst Gombrich
  • From Camera Lucida
  • Roland Barthes
  • The most concealed object
  • Herbert Blau
  • Fascination and obsession
  • Susan Bennett
  • Of other spaces
  • Michel Foucault
  • Appearance and reality
  • From The production of space
  • Henri Lefebvre
  • For a hierarchy of means of expression on the stage
  • Adolphe Appia
  • A taxonomy of spatial function
  • Gay McAuley
  • 6 axioms for environmental theatre : axiom three
  • Richard Schechner
  • Site-specifics
  • Nick Kaye
  • Bertrand Russell
  • Dancing in the streets : the sensuous manifold as a concept for designing experience
  • Scott Palmer and Sita Popat
  • Grounding
  • Andrew Todd
  • Towards an aesthetic of virtual reality
  • Gabriella Giannachi
  • The house, from cellar to garret, the significance of the hut
  • Gaston Bachelard
  • Making and contesting time-spaces
  • Doreen Massey
  • The simile of the cave
  • Postmodern design
  • Arnold Aronson
  • "Oh, to make boardes to speak!"
  • Nicholas Till
  • Stage designs of a single gesture : the early work of Robert Edmond Jones
  • Arthur B. Feinsod
  • Foreword to The stage is set
  • Lee Simonson
  • Hope, hopelessness-- presence, absence : scenographic innovation and the poetic spaces of Jo Mielziner, Tennessee Williams and Arthur Miller
  • Liam Doona
  • Plato
  • Brecht and stage design : the Bühnenbildner and the Bühnenbauer
  • Christopher Baugh
  • The diseases of costume
  • Roland Barthes
  • My idea of the theatre
  • Tadeusz Kantor
  • Visual composition, mostly
  • Richard Foreman
  • Defining and reconstructing theatre sound
  • Adrian Curtin
  • The draughtsman's contract : how an artist creates an image
  • On performance writing
  • Tim Etchells
  • Docile bodies
  • Michel Foucault
  • Eye and mind
  • Maurice Merleau-Ponty
  • Of language and the flesh
  • Thomas Laqueuer
  • From Adorned in dreams
  • Elizabeth Wilson
  • John Willats
  • The actor and the über-marionette
  • Edward Gordon Craig
  • Man and art figure
  • Oskar Schlemmer
  • From Towards a poor theatre
  • Jerzy Grotowski
  • Woman, man, dog, tree : two decades of intimate and monumental bodies in Pina Bausch's Tanztheater
  • Gabrielle Cody
  • The will to evolve
  • Jane Goodall
  • The camera obscura and its subject
  • Glow : an interview with Gideon Obarzanek
  • Cristiane Bouger
  • The work of art in the age of its technological reproducibility : second version
  • Walter Benjamin
  • Interaction between text and reader
  • Wolfgang Iser
  • Semiotics
  • Lois Tyson
  • Limits of analysis, limits of theory and Pavis's questionnaire
  • Patrice Pavis
  • Jonathan Crary
  • Sound design : the scenography of engagement and distraction
  • Ross Brown
  • Olfactory performances
  • Sally Banes
  • The naturalistic theatre and the theatre of mood
  • Vsevolod Meyerhold
  • Theatre and cruelty
  • Antonin Artaud
  • The humanist theatre
  • The catastrophic theatre
Control code
ocn813843939
Dimensions
unknown
Extent
1 online resource (xxix, 400 pages)
File format
unknown
Form of item
online
Isbn
9781136344534
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations
Quality assurance targets
not applicable
http://library.link/vocab/recordID
.b27076404
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
  • (OCoLC)813843939
  • pebco0203124294

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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