The Resource Titian and the end of the Venetian Renaissance, Tom Nichols

Titian and the end of the Venetian Renaissance, Tom Nichols

Label
Titian and the end of the Venetian Renaissance
Title
Titian and the end of the Venetian Renaissance
Statement of responsibility
Tom Nichols
Creator
Author
Subject
Genre
Language
eng
Summary
Titian is best known for paintings that embodied the tradition of the Venetian Renaissance-but how Venetian was the artist himself? In this comprehensive new study, Tom Nichols probes the tensions between the individualism of Titian's work and the conservative cultural and political mores of the city, revealing his art to be original inventions that undermine the traditional self-suppressing approach to painting in Venice. Rather, Nichols argues, Titian's works reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging .
Cataloging source
EBLCP
Dewey number
759.03
Illustrations
illustrations
Index
index present
LC call number
  • ND621.V5
  • ND623.T7
LC item number
  • .N613 2013
  • N53 2013eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Label
Titian and the end of the Venetian Renaissance, Tom Nichols
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 207-246) and index
http://library.link/vocab/branchCode
  • net
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
  • still image
  • text
Content type code
  • sti
  • txt
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Titian's Last Painting: The Sight of Death; An Inglorious Passing; or, The Difficult Case of the Pietà; How 'Venetian' was Titian?; Surrogate Monuments to the Leader of a Tradition; One: Art as Appropriation: The Rise of Titian; Giovanni Bellini: The Model Venetian; Bellini and Titian: Master and Pupil; Titian and the Venetian Istoria; Titian and Giorgione; Giorgione and Titian's Early Portraiture; The Early Mythologies; Titian Repaints Palma Vecchio; Two: Remaking Tradition: Icons and Altarpieces
  • Anachronic Titian The Modern Icon; The Cultural Dynamics of Space in Two Altarpieces for Venice; Private Values in a Public Picture Type; Altarpiece or Artwork?; Three: Portraiture and Non-Venezianità; Portraiture in Renaissance Venice; Titian's Portraits to 1530: Accommodation of the Courts; Habsburg and Related Portraits of the 1530s; Historical Portraits; Natura Potentior Ars; Four: Sacred Painting, the Poesie and the Late Style; Titian as Tradition; Titian's Hybrid Poesie; Two Late Mythologies; Early Responses to Titian's Late Style; The Late Style in Critical and Historical Perspective
  • Five: Titian and Venice: Surviving the Father of Art; Patrons and Prices; Titian Versus the Rest: A Literary Self-image; Pictor et Eques: Titian's Self-Portraits; Images of Succession; Images of Attachment; The Darker Side of Titian; or, The Anti-Image; Venetian Responses to Titian: Veronese and Tintoretto; Conclusion; Titian and the End of the Venetian Renaissance; Titian in Disguise
Control code
ocn865333857
Dimensions
unknown
Extent
1 online resource (255 pages)
Form of item
online
Isbn
9781780232270
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other physical details
illustrations (some color)
http://library.link/vocab/ext/overdrive/overdriveId
fa47b7e9-bc4f-42b9-9bf0-5fc32fb7bb37
http://library.link/vocab/recordID
.b30398939
Specific material designation
remote
System control number
  • (OCoLC)865333857
  • pebcs1780232276

Library Locations

    • Deakin University Library - Geelong Waurn Ponds CampusBorrow it
      75 Pigdons Road, Waurn Ponds, Victoria, 3216, AU
      -38.195656 144.304955
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